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- Ch. 20 Flashcards
Ch. 20 Flashcards
Art History 1304 with Bergman-carton at Southern Methodist University
About this deck
By: Piper Werle
Created: 2011-05-03
Size: 18 flashcards
Views: 9
Created: 2011-05-03
Size: 18 flashcards
Views: 9
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Peter Paul Rubens, Elevation of the Cross, 1610, Oil on Wood
-foreshortened anatomy and violent action
-combo of Italian Renaissance and Baroque
Peter Paul Rubens, Arrival of Marie d'Medici at Marseilles, 1625, oil on canvas
-a large canvas
-historical-allegorical picture of robust figures in an opulent setting,
-the sea and sky rejoice at her arrival
-**Rubens understood the lavish spectacle appealed to royalty--comes from Catholic church
Anthony Van Dyck, Charles I Dismounted, 1635, oil on canvas
-Van Dyck specialized in court portraiture
-sharp angle of the absolutist monarch so he is looking down at the viewer
Rembrandt, Anatomy Lesson of Dr. Tulp, 1632, Oil on canvas
-UNUSUAL composition-- corpse diagonally placed, surgeons clustered together on on side
Jan Vermeer, The Letter, 1666, oil on canvas
-used mirrors and the camera obscura to depict opulent 17th-C Dutch domestic interiors
-foremost dutch painter of domestic interiors
Pieter Claesz, Vanitas Still Life, 1630s, oil on panel
-reflects Dutch pride of material possessions, but Calvinist morality and humanity
-skull and time piece symbolize transience
Nicolas Poussin, Burial of Phocion, 1648
-not a specific place or time but idealized setting for a noble theme
-best known for depicting ancient history of ancient landscape
-believed only grand and monumental subjects should be painted
-baroque, classical landscape, an ACADEMIC landscape
Claude Lorrain, Landscape with Cattle and Peasants, 1629
-student of Poussin
-atmospheric and linear perspective to turn Roman countryside with cattle and peasants into an idealized, classical landscape
-this is not as highly valued b/c no moral
Louis le Nain, Family of Country People, 1640, Oil on canvas
-celebrates natural virtue of working class
-grave dignity of family made stoic by hardship
-genre painting, large scale figures
-diff. between France and Dutch was Dutch had a LOT of protestants
-prosperity to Protestant citizenry rejected church art in favor or private portraits, genre scenes, landscapes and still lifes
Frans Hals, Archers of Saint Hadrian, 1633, oil on canvas
-group portrait--shows each individual while retaining action and variety as a whole
-features Velazquez' influence-an informality as seen in "Las Meninas"
-not traditional portraiture
Hyacinthe Rigaud, Louis XIV, 1701, oil on canvas
-impact of the rules set in place of how and what an artist should exhibit
-5'4'' king in heels, made to look taller than he is
Sir Christopher Wren, St. Paul's Cathedral, 1700
-replaced an old gothic church
-facade design from Palladio and Borromini
-dome recalls St. Peter's in Rome
Inigo Jones, Banqueting House at Whitehall, 1620
-Jones admired Palladio, --adopted motifs from the Italian Renaissance
Charles le Brun and Mansart, Galerie des Glaces, 1680
Charles le Brun, Louis le Vau, Claude Perrault, 1670, east facade of the Louvre
-synthesis of French and Italian classical elements, including a central pavilion the resembles an ancient temple front with a pediment
Rembrandt, Night Watch, 1642, Oil on canvas
-most famous group portrait of 17thC
-immense size
-dramatic use of life contributes to animation of this militia group (Rembrandt = use of light and dark for drama)
-company showed rushing about
Grand Manner Portraiture
streaks of "naturalness" but included virtues of honor, value, and love of country
-often depicted contemporaries involved in the great events of the late 18thC
About this deck
By: Piper Werle
Created: 2011-05-03
Size: 18 flashcards
Views: 9
Created: 2011-05-03
Size: 18 flashcards
Views: 9
About StudyBlue
STUDYBLUE makes things that make you better at school.
Things like online flashcards with photos and audio.
Things like personalized quizzes and friendly reminders about when (and what) to study next.
Think of it as a digital backpack™: access to all of your study materials online and on your phone.
STUDYBLUE exists to make studying efficient and effective for every student, for free. Join us.
“Simply amazing. The flash cards are smooth, there are many different types of studying tools, and there is a great search engine. I praise you on the awesomeness.”
Dennis
Dennis