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Midterm 2 Buildings
Architecture 318 with Long at University of Texas - Austin
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- built by romans
- carved ornamentation depicts victories of trajan
maison carree, nimes, france; 19 BCE
- built by the french
- etruscan-influenced acroteria
- long, tall columns
- rich, expressive corinthian capitals
- emphasis on 3-dimensionality
- rusticated cella walls - joints of ashlar blocks are beveled/individually articulated
- pseudoperipteral
- porch columns engaged with pushed-out cella walls
- *shift to emphasis on interiors - greater interior articulation; worshiped inside
maison carree, nimes, france; 19 BCE
- built by the french
- etruscan-influenced acroteria
- long, tall columns
- rich, expressive corinthian capitals
- emphasis on 3-dimensionality
- rusticated cella walls - joints of ashlar blocks are beveled/individually articulated
- pseudoperipteral
- porch columns engaged with pushed-out cella walls
- *shift to emphasis on interiors - greater interior articulation; worshiped inside
pantheon, rome, 118-128 CE
- built by the romans
- octastyle, corinthian temple to all the gods - round shape so all niches have physical equality
- coffering
- perfectly proportional
- lettering on frieze instead of pattern
- based on arcuated forms - large dome w/occulus
pantheon, rome, 118-128 CE
- built by romans under Hadrian
- octastyle, corinthian
- cosmic theme: temple to all the gods, symbolized heavens - round shape so all niches have physical equality
- political: Hadrian held judicial court in rotunda; comparison of empire & cosmos (structure of many units but one pervading unity)
- coffering
- perfectly proportional
- lettering on frieze instead of pattern
- based on arcuated forms - large dome w/occulus
colosseum, rome, 80 CE
- built by romans
- ovaloid amphitheatre composed of 2 semi-circular theatres
- tuscan bottom, then ionic, then corinthian top
- long, thin bricks & mortar; travertine marble veneer
- subterranean holding pens, hydraulic floor-lifts
- annular vault around outside (bent tunnel vault)
- arches around outside - vaults extend inward to support tiered seating
colosseum, rome, 80 CE
- built by romans
- ovaloid amphitheatre composed of 2 semi-circular theatres
- tuscan bottom, then ionic, then corinthian top
- long, thin bricks & mortar; travertine marble veneer
- subterranean holding pens, hydraulic floor-lifts
- annular vault around outside (bent tunnel vault)
- arches around outside - vaults extend inward to support tiered seating
baths of caracalla, rome, 298-306 CE
- built by romans
- huge complex
- large open palaestrum - open space surrounding bath
- surrounding walls with shops, taverns
- intricate mosaics
- baths under vaulted roofs
baths of caracalla, rome, 298-306 CE
- built by romans
- huge complex
- large open palaestrum - open space surrounding bath
- surrounding walls with shops, taverns
- intricate mosaics
- baths under vaulted roofs
trajan's forum, rome, 98-112 CE
- built by successful emperor trajan's romans
- part of roman civic center - forum romanum (roman "downtown")
- temples, basilica, trajan's column, shopping mall
- features multiple peristyles, trabeation, barrel vaults, square columns, clerestories
- exedra - semi-circular/rectangular recess
palace of diocletian, spalato, croatia; 300CE
- built by romans under emperor diocletian
- huge villa on coast of Adriatic
- castrum (fort)/roman army camp
- bisected with axis
- two perpendicular colonnaded streets
- features hexagonal temples, groin vaults
- niches: arches set into walls, framed by columns that are completely decorative now
- created by incas
- shallow designs in the ground
- possible cosmological, religious significance
nazcan lines, peru, 400 - 800 CE
- created by incas
- shallow designs in the ground
- possible cosmological, religious significance
machu picchu, peru, 1438-1471 CE
- built by incas
- burial site, place of sun-god ceremonies
- remarkably adapted to landscape
- artificial mountains mirror real ones
- agricultural terraces
- built densely and uniformly
- contains both rubble and high prestige masonry
- unique for its high prestige masonry, trapezoidal walls, canchas?
- unknown builders, aztecs arrived at the abandoned site in 1200 CE
- in the northern part of the site of teotihuacan
- series of 4 platforms
- each level = series of earth-filled rooms
- juxtaposed layers of divinity: geometric platform, pyramid, mountain
pyramid of the moon, teotihuacan, mexico; 200 CE
- unknown builders, aztecs arrived at the abandoned site in 1200 CE
- in the northern part of the site of teotihuacan
- series of 4 platforms
- each level = series of earth-filled rooms
- juxtaposed layers of divinity: geometric platform, pyramid, mountain
pyramid of the sun, teotihuacan, mexico; 150 CE
- unknown builders, aztecs arrived at the abandoned site in 1200 CE
- center of site, south of moon pyramid
- series of 4 platforms
- each level = series of earth-filled rooms
- juxtaposed layers of divinity: geometric platform, pyramid, mountain
pyramid of the sun, teotihuacan, mexico; 150 CE
- unknown builders, aztecs arrived at the abandoned site in 1200 CE
- center of site, south of moon pyramid
- series of 4 platforms
- each level = series of earth-filled rooms
- juxtaposed layers of divinity: geometric platform, pyramid, mountain
pyramid of the sun, teotihuacan, mexico; 150 CE
- unknown builders, aztecs arrived at the abandoned site in 1200 CE
- center of site, south of moon pyramid
- series of 4 platforms
- each level = series of earth-filled rooms
- juxtaposed layers of divinity: geometric platform, pyramid, mountain
pyramid of the sun, teotihuacan, mexico; 150 CE
- unknown builders, aztecs arrived at the abandoned site in 1200 CE
- center of site, south of moon pyramid
- series of 4 platforms
- each level = series of earth-filled rooms
- juxtaposed layers of divinity: geometric platform, pyramid, mountain
- built by mayans
- Finely laid stone
- Triangular vaults – great mass creating a small space
- Thick walls created a cooler enclosure
governor's palace, uxmal, mexico; (no date given)
- built by mayans
- Finely laid stone
- Triangular vaults – great mass creating a small space
- Thick walls created a cooler enclosure
governor's palace, uxmal, mexico; (no date given)
- built by mayans
- Finely laid stone
- Triangular vaults – great mass creating a small space
- Thick walls created a cooler enclosure
- built by mayans
- had high-quality ashlar masonry, silver
- protruding sculptures and reliefs
- buildings on platforms
- corbelled vaults
- trabeation, porticoes
- shrines and stupas (sacred mounds)
- built by mayans
- had high-quality ashlar masonry, silver
- protruding sculptures and reliefs
- buildings on platforms
- corbelled vaults
- trabeation, porticoes
- shrines and stupas (sacred mounds)
chichen itza, el castillo, mexico; 900-1521 CE
- built by mayans
- had high-quality ashlar masonry, silver
- protruding sculptures and reliefs
- buildings on platforms
- corbelled vaults
- trabeation, porticoes
- shrines and stupas (sacred mounds)
- built by buddhist indians
- stupa: sacred, mound-like structure containing relic
- hemispherical dome on low platform
- comes from solid hindu burial mounds
- symbolizes buddha's exit from world into nirvana
- symbolic abstraction of buddhist beliefs
- cosmological purpose: reflect world views, instruct/direct ritual
- monumental gateway
- 3-tiered umbrella (buddha, his law, monastic community)
- plan = mandala: rep. cosmos; indiv. meditation
- *architecture as processional exp
- built by buddhist indians
- stupa: sacred, mound-like structure containing relic
- hemispherical dome on low platform
- comes from solid hindu burial mounds
- symbolizes buddha's exit from world into nirvana
- symbolic abstraction of buddhist beliefs
- cosmological purpose: reflect world views, instruct/direct ritual
- monumental gateway
- 3-tiered umbrella (buddha, his law, monastic community)
- plan = mandala: rep. cosmos; indiv. meditation
- *architecture as processional exp
- built by buddhist indians
- carved into river-cliff-bed/stereotomic!
- facade covered in sculptural icons
- stupa inside chaitya hall
- mudras - buddha-hand-sculptures that represent ideas
- colorful cave paintings
- built by buddhist indians
- carved into river-cliff-bed/stereotomic!
- facade covered in sculptural icons
- stupa inside chaitya hall
- mudras - buddha-hand-sculptures that represent ideas
- colorful cave paintings
ajanta, india, 200-100 BCE
- built by buddhist indians
- carved into river-cliff-bed/stereotomic!
- facade covered in sculptural icons
- stupa inside chaitya hall
- mudras - buddha-hand-sculptures that represent ideas
- colorful cave paintings
- built by buddhist indians
- rock-cut/completely excavated
- started at top & worked down
- gopuram - entrance gate
- bands of iconography
kailasantha temple, ellora, india; 750-950 CE
- built by buddhist indians
- rock-cut/completely excavated
- started at top & worked down
- gopuram - entrance gate
- bands of iconography
- built by buddhist indonesians
- stacked plinths
- constructed w/o mortar w/stones from nearby rivers
- site is a mandala plan
- 9 platforms
- multiple stupa sculptures on top
- pilgrimage site - symbolic procession and meditation
- statues in niches
- no interior space
- *architecture as individual processional experience
great stupa, borobudur, indonesia; 800 CE
- built by buddhist indonesians
- stacked plinths
- constructed w/o mortar w/stones from nearby rivers
- site is a mandala plan
- 9 platforms
- multiple stupa sculptures on top
- pilgrimage site - symbolic procession and mediation
- statues in niches
- no interior space
- *architecture as individual processional experience
angkor vat, cambodia, 800-1400 CE
- built by indian hindus - khmer empire
- example of late hindu arches (lack of tech & ability)
- rulers devoted the spaces to hindu gods and THEMSELVES
- pyramidal stone shrines in quincunx plan - 5-pt. geometrical pattern
- represented a cambodian god
- 5 sikharas = 5 mountain peaks
- walls = mountain ranges
- moat = ocean
- cosmic associations - sun hits diff pts during diff pts of yr
- monumentality, ritualistic importance thru repetition & layering of elements
- laid out bkwrds
great wall, china, 221-210 BCE (redone during 15th/16th centuries)
- built for emperor Qin Shihung-ti
- multiple indv. walls joined
- protection from marauding warriors
- forced labor
- rammed earth faced w/stone
- crenellation (saw-toothed battlements) (crennels, merlons)
- serpentines along mountain peaks
tombs, qin shihung-ti, china, 260-210 BCE
- built by the chinese
- example of monumental structure
- huge mound with miniature city inside
- terra-cotta army adjacent to it in the fields - huge scale trenches w/lgr than life clay figures of individuals warriors, horses, court members, wagons
altar and temple of heaven, beijing, 1420 CE
- built by the chinese
- prayer complex for emperor (good fortune & harvests)
- arranged on grid, aligned w/cardinal points
- altar = round w/ blue roof, columns in the round
- temple = series of ambulatories (places for walking) (similar to stupa at sanchi)
- carved & painted columns
- bracketing layer supports roof
- interaction of circles & lines
gate of heavenly peace, beijing, 1406-1470 CE
- built by the chinese
- part of the forbidden city
- yellow roofs - reserved for important government buildings
- axial arrangement
- built by unpaid labor as taxation (corvee system)
hall of supreme harmony, beijing, 1406-1420 CE
- built by the chinese
- throne room (gov business conducted here)
- part of the forbidden city
- yellow roofs - reserved for important government buildings
- axial arrangement
- built by unpaid labor as taxation (corvee system)
- built by shintoist japanese
- shintoism - nature-worship
- precisely rebuilt every 20 yrs
- large dwelling space, several subsidiary dwellings
- unpainted japanese cypress wood - emph. natural beauty
- agr. building forms used for temples - pitched, thatched roofs, transverse & longitudinal beams capped w/grass
Ise Shrine, japan, 400s CE
- built by shintoist japanese
- shintoism - nature-worship
- precisely rebuilt every 20 yrs
- large dwelling space, several subsidiary dwellings
- unpainted japanese cypress wood - emph. natural beauty
- agr. building forms used for temples - pitched, thatched roofs, transverse & longitudinal beams capped w/grass
horyu-ji temple (complex), nara, 607 CE
- built by the japanese
- pagoda (principal shrine), prayer hall, gate
- dougong bracket system, sweeping roofs
- far-extending, cantilevering roofs
- little interior space - individual worship
- repetition of geometric forms to achieve monumentality
horyu-ji temple (complex), nara, 607 CE
- built by the japanese
- pagoda (principal shrine), prayer hall, gate
- dougong bracket system, sweeping roofs
- far-extending, cantilevering roofs
- little interior space - individual worship
- repetition of geometric forms to achieve monumentality
horyu-ji temple (complex), nara, 607 CE
- built by the japanese
- pagoda (principal shrine), prayer hall, gate
- dougong bracket system, sweeping roofs
- far-extending, cantilevering roofs
- little interior space - individual worship
- repetition of geometric forms to achieve monumentality
todai-ji temple (complex), nara, 730 CE
- built by the japanese
- enormous scale
- bays - spaces between 2 large uprights
- dougong bracket system
- mostly unpainted (painted portions indicate chinese influence)
katsura palace, kyoto, 1620 CE
- built by the japanese
- juxtaposition of geometric forms
- ex. of architectural purity & complexity
- simplicity & natural materiality
- reduced color palate, little ornament
- freely flowing space through inside & outside
- picturesque massing & composition
- use of grids on walls, floors
st. peter's, rome, 319-330 CE
- built by the romans
- wooden roof system - triangular trusses
- shed roof over aisles
- roman brick, clay tiles
- ornament is on INTERIOR, unlike a roman temple (christians worship on the inside)
santa costanza, rome, 350 CE
- built by romans under constantine
- martyium dedicated to daughter of constantine
- centrally-planned
- cross of intersecting axes superimposed on circular 12-part plan
- twice-vaulted (double-shelled dome in middle, barrel/annular vault around outside)
- composite order domes,columns, tiny entablatures
- center well-lit, ambulatory dim
- emergence of showing christ's story in images
- mosaics
- cosmic symbolism - (problems of life & death) + christian redemption & eternal life
santa costanza, rome, 350 CE
- built by romans under constantine
- martyium dedicated to daughter of constantine
- centrally-planned
- cross of intersecting axes superimposed on circular 12-part plan
- twice-vaulted (double-shelled dome in middle, barrel/annular vault around outside)
- composite order domes,columns, tiny entablatures
- center well-lit, ambulatory dim
- emergence of showing christ's story in images
- mosaics
- cosmic symbolism - (problems of life & death) + christian redemption & eternal life
tomb of king theodore, ravenna, italy; 526 CE
- built by the romans
- dome over centrally-planned space
- burial space inside
- quality ashlar masonry
- notched voussoirs in arches by imported workers
- massive walls lack lightness of earlier roman bdgs - shows emph on volume being lost
- dome is single stone in rotated arch form = losing ability to construct complex vaulting
- Architects: Anthemius of Tralles, Isidore of Miletus
- christ as holy wisdom
- greek-cross-in-square
- congregational basilica+vaulted superstructure
- dome on pendentives w/clerestory windows, christ mosaic
- E&W 1/2 domes
- interiorized - no exterior ornament
- huge, open, unencumbered interior
- lower interior - stone veneer (revetment)
- upper interior - mosaics
- shafts of light=sense of mystery
- smbl ideal universe
- rich, deeply carved column ornamentation
Hagia Sophia, Constantinople (Istanbul, Turkey), 532-537
- Architects: Anthemius of Tralles, Isidore of Miletus
- christ as holy wisdom
- greek-cross-in-square
- congregational basilica+vaulted superstructure
- dome on pendentives w/clerestory windows, christ mosaic
- E&W 1/2 domes
- interiorized - no exterior ornament
- huge, open, unencumbered interior
- lower interior - stone veneer (revetment)
- upper interior - mosaics
- shafts of light=sense of mystery
- smbl ideal universe
- rich, deeply carved column ornamentation
- built by ostrogoths, then byzantines in italy
- octagonal martyrium
- stricter design - taller, more erect proportions
- exterior - precision in design, execution
- double-shelled dome of amphorae (terracotta) on pendentives
- byzantine-style captials
- marble paneling, mosaic panels of justinian
- based on greek-cross-in-square: domed cross - sml, defined areas under ea. of 4 sustaining arches
San Vitale, Ravenna, 526-548 CE
- built by ostrogoths, then byzantines in italy
- octagonal martyrium
- stricter design - taller, more erect proportions
- exterior - precision in design, execution
- double-shelled dome of amphorae (terracotta) on pendentives
- byzantine-style captials
- marble paneling, mosaic panels of justinian
- based on greek-cross-in-square: domed cross - sml, defined areas under ea. of 4 sustaining arches
church of the intercession, vladimir, russia; 1166 CE
- built by the russians
- greek-cross-in-square w/onion dome center
- compression of space forces one to look UP into heaven
st. sophia, kiev, ukraine; 1200 CE
- built by ukranians
- quincunx, kind of greek-cross-in-square plan
- replication of standardized-size elements
- large center, but otherwise compressed
- views always linear in one-direction
- anti-classicism
st. sophia, kiev, ukraine; 1200 CE
- built by ukranians
- quincunx, kind of greek-cross-in-square plan
- replication of standardized-size elements
- large center, but otherwise compressed
- views always linear in one-direction
- anti-classicism
- martyrium - where muhammad ascended to heaven
- interior resembles byzantine
- interior revetment (stone veneer)
- martyrium (domed center, vestibule aisles around center)
- based on centrally-planned church
- striking articulation on exterior
- rich palate of applied ornament
- lower = stone revetment
- upper = fired clay tiles (majolica)
- more heavily ornamented on exterior than christian buildings
Dome of the Rock, Jerusalem, 691-92
- martyrium - where muhammad ascended to heaven
- interior resembles byzantine
- interior revetment (stone veneer)
- martyrium (domed center, vestibule aisles around center)
- based on centrally-planned church
- striking articulation on exterior
- rich palate of applied ornament
- lower = stone revetment
- upper = fired clay tiles (majolica)
- more heavily ornamented on exterior than christian buildings
Great Mosque, Damascus (Syria), 705-15
- Capital city
- old site of roman temple
- hybrid of older and newer byzantine church forms
- minaret - call-to-prayer tower
- qibla wall w/mihrab niche
- ornamented exterior (unlike byzantine buildings)
- little ornament other than depictions of muhammad
- uni-directional sense of space
- expansion of space - columns in grid - greater openness than christian buildings
- *geometrical ornament
- columned hall surmounted by 2 levels of arches
- muted light from clerestories
- Capital city
Great Mosque, Damascus (Syria), 705-15
- Capital city
- old site of roman temple
- hybrid of older and newer byzantine church forms
- minaret - call-to-prayer tower
- qibla wall w/mihrab niche
- ornamented exterior (unlike byzantine buildings)
- little ornament other than depictions of muhammad
- uni-directional sense of space
- expansion of space - columns in grid - greater openness than christian buildings
- *geometrical ornament
- columned hall surmounted by 2 levels of arches
- muted light from clerestories
Great Mosque, Damascus (Syria), 705-15
- Capital city
- old site of roman temple
- hybrid of older and newer byzantine church forms
- minaret - call-to-prayer tower
- qibla wall w/mihrab niche
- ornamented exterior (unlike byzantine buildings)
- little ornament other than depictions of muhammad
- uni-directional sense of space
- expansion of space - columns in grid - greater openness than christian buildings
- *geometrical ornament
- columned hall surmounted by 2 levels of arches
- muted light from clerestories
Great Mosque, Damascus (Syria), 705-15
- Capital city
- old site of roman temple
- hybrid of older and newer byzantine church forms
- minaret - call-to-prayer tower
- qibla wall w/mihrab niche
- ornamented exterior (unlike byzantine buildings)
- little ornament other than depictions of muhammad
- uni-directional sense of space
- expansion of space - columns in grid - greater openness than christian buildings
- *geometrical ornament
- columned hall surmounted by 2 levels of arches
- muted light from clerestories
- enormous size
- building tradition reliant on mud brick building - exterior walls
- timber framing on interior
- similar to plan of hypostyle hall
Great Mosque at Samarra (Iraq), 848-52
- free-standing, spiraled minaret
- separate from mosque itself
- longitudinal grid of columns
- reliance on ornament, polychromy
- surface of exterior - new ornamental program based on complex geometries
- 3 types of ornamentation
- 2d
- 3d ornament/architectonic language
- elaborate use of calligraphy
- complex pattern of overlapping, springing arches
- interior
- multi-colored, banded arches
- complex vaulting patterns
- timber frame roof
- gilded mosaics
- glow of clerestories
- longitudinal grid of columns
- reliance on ornament, polychromy
- surface of exterior - new ornamental program based on complex geometries
- 3 types of ornamentation
- 2d
- 3d ornament/architectonic language
- elaborate use of calligraphy
- complex pattern of overlapping, springing arches
- interior
- multi-colored, banded arches
- complex vaulting patterns
- timber frame roof
- gilded mosaics
- glow of clerestories
Alhambra, Granada, 13th and 14th centuries
- fortress on a hill
- robust, plain exterior
- pleasure palace - artists
- complex series of buildings & courtyards
- peristyle courtyards
- rooms like a roman house
Court of Lions
Alhambra, Granada, 13th and 14th centuries
- decorative columns, muqarna stalactites
- ornamental language reliant on geometry
- arabic calligraphic quranic inscriptions
- deeply cut in stone
- high level of craftsmanship
Muquarnas (stalactite vaults)
Alhambra, Granada, 13th and 14th centuries
- decorative device in traditional islamic architecture
- small pointed niches arranged in tiers
Alhambra, Granada, 13th and 14th centuries
- fortress on a hill
- robust, plain exterior
- pleasure palace - artists
- complex series of buildings & courtyards
- peristyle courtyards
- rooms like a roman house
- created by the incas
- large pattern in stone - can only be seen from high above
- unknown purpose - animals symbolizes groups?
- likely related to religious, social identity
- created by the incas
- large pattern in stone - can only be seen from high above
- unknown purpose - animals symbolizes groups?
- likely related to religious, social identity
- created by the incas
- large pattern in stone - can only be seen from high above
- unknown purpose - animals symbolizes groups?
- likely related to religious, social identity
- created by the incas
- large pattern in stone - can only be seen from high above
- unknown purpose - animals symbolizes groups?
- likely related to religious, social identity
- mosque for king of ottoman empire
- included series of religious schools (madrasas)
- banquet hall, bathing complex
- peristyle forecourt
- large center dome, 2 semi-dome side domes
- differences: almost every space is domed (no barrel/groin vaults)
- no fracturing space - sense of clarity
- lighter inside
- huge complex
- garden = metaphor for garden of paradise
- mosque for king of ottoman empire
- included series of religious schools (madrasas)
- banquet hall, bathing complex
- peristyle forecourt
- large center dome, 2 semi-dome side domes
- differences: almost every space is domed (no barrel/groin vaults)
- no fracturing space - sense of clarity
- lighter inside
- huge complex
- garden = metaphor for garden of paradise
- mosque for king of ottoman empire
- included series of religious schools (madrasas)
- banquet hall, bathing complex
- peristyle forecourt
- large center dome, 2 semi-dome side domes
- differences: almost every space is domed (no barrel/groin vaults)
- no fracturing space - sense of clarity
- lighter inside
- huge complex
- garden = metaphor for garden of paradise
- mosque for king of ottoman empire
- included series of religious schools (madrasas)
- banquet hall, bathing complex
- peristyle forecourt
- large center dome, 2 semi-dome side domes
- differences: almost every space is domed (no barrel/groin vaults)
- no fracturing space - sense of clarity
- lighter inside
- huge complex
- garden = metaphor for garden of paradise
- mosque for king of ottoman empire
- included series of religious schools (madrasas)
- banquet hall, bathing complex
- peristyle forecourt
- large center dome, 2 semi-dome side domes
- differences: almost every space is domed (no barrel/groin vaults)
- no fracturing space - sense of clarity
- lighter inside
- huge complex
- garden = metaphor for garden of paradise
- mughal empire
- features iwans - vaulted halls/spaces walled on 3 sides w/one end entirely open
- small, domed sanctuary
- entry path on an axis
- tiled onion dome
- *elaborate tile exterior and interior
- *form language: reliance on pure geometries, abstracted natural forms, calligraphy
- mughal empire
- features iwans - vaulted halls/spaces walled on 3 sides w/one end entirely open
- small, domed sanctuary
- entry path on an axis
- tiled onion dome
- *elaborate tile exterior and interior
- *form language: reliance on pure geometries, abstracted natural forms, calligraphy
- mughal empire
- features iwans - vaulted halls/spaces walled on 3 sides w/one end entirely open
- small, domed sanctuary
- entry path on an axis
- tiled onion dome
- *elaborate tile exterior and interior
- *form language: reliance on pure geometries, abstracted natural forms, calligraphy
- mughal empire
- features iwans - vaulted halls/spaces walled on 3 sides w/one end entirely open
- small, domed sanctuary
- entry path on an axis
- tiled onion dome
- *elaborate tile exterior and interior
- *form language: reliance on pure geometries, abstracted natural forms, calligraphy
- mughal empire
- features iwans - vaulted halls/spaces walled on 3 sides w/one end entirely open
- small, domed sanctuary
- entry path on an axis
- tiled onion dome
- *elaborate tile exterior and interior
- *form language: reliance on pure geometries, abstracted natural forms, calligraphy
- quincunx tomb/mortuary temple
- features iwans, 4 minarets
- on a high plinth - lightness, airyness, clarity
- reliance on symmetry
- white marble contrasts red buildings on either side
- pietra dura method of inset semi-precious stones
- quranic inscriptions running down walls
- quincunx tomb/mortuary temple
- features iwans, 4 minarets
- on a high plinth - lightness, airyness, clarity
- reliance on symmetry
- white marble contrasts red buildings on either side
- pietra dura method of inset semi-precious stones
- quranic inscriptions running down walls
- quincunx tomb/mortuary temple
- features iwans, 4 minarets
- on a high plinth - lightness, airyness, clarity
- reliance on symmetry
- white marble contrasts red buildings on either side
- pietra dura method of inset semi-precious stones
- quranic inscriptions running down walls
- quincunx tomb/mortuary temple
- features iwans, 4 minarets
- on a high plinth - lightness, airyness, clarity
- reliance on symmetry
- white marble contrasts red buildings on either side
- pietra dura method of inset semi-precious stones
- quranic inscriptions running down walls
- quincunx tomb/mortuary temple
- features iwans, 4 minarets
- on a high plinth - lightness, airyness, clarity
- reliance on symmetry
- white marble contrasts red buildings on either side
- pietra dura method of inset semi-precious stones
- quranic inscriptions running down walls
About this deck
Created: 2011-04-02
Size: 92 flashcards
Views: 318
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