Final Exam
Recording Industry 3000 with Dougan at Middle Tennessee State University
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Roots of the phonograph: Frenchman Leon Scott de Martinville invents the PHONAUTOGRAPH (Sound Writer), an instrument that made a visual tracing of sound vibrations
1877
Edison's Talking Machine (plays cylinders)
Emile Berliner invents gramophone disc (flat, more durable, easier to store)
Columbia Records is formed
Introduction of double-sided 78rpm disc -- the standard recorded configuration until early 1950s
1 out of every 22 U.S. households had a phonograph
Bessie Smith sings into a Western electric microphone – new era of recording begins
Chester W. Rice and Dr. Edward Kellog design moving coil transducer – leads to the invention of a new loudspeaker
The Orthophonic – trademarked by Victor and acoustic machine that could handle the new fidelity of “electric recordings”
First electric phonograph, the Brunswick Panatrope, is introduced
Era of Acoustic Recording
1877-1925
- You sing (or speak, or play your instrument) into a giant horn which vibrates a membrane
- A needle attached to the membrane cut a groove into a soft surface that revolves beneath it
Joseph P. Maxfield and Henry Harrison scientists for Western Electric made key breakthroughs in electrical recording
- A microphone picks up sound waves and converts them into electrical signals
- Electrical signals (usually recorded on a master tape) power electromagnets which turn the drive the cutting head of a disk cutter to cut the track on a record
- A needle vibrates the groove. The vibration moves a magnet between 2 wire coils generating a current.
- This vibration is amplified and sent to speakers, where two currents power electromagnets that moves the speakers’ diaphragm
Term is short for RADIO TELEPHONY
Derives from the fact that transmitter signals “radiate” in all directions
“WIRELESS” – Pre-radio– Reginald Fessenden broadcasts music using a wireless transmitter
– Lee De Forest invents the AUDION, making home radio receivers and higher-power transmitters possible. These inventions pave the way for commercial broadcasting
Crystal sets – DIY radios become a fad. Hobbyists became first audience for broadcast sound
564 licensed commercial radio stations, 15,000 transmitting stations in U.S.
100,000 radios sold, average cost $50
Radio’s first visionary
1915 – envisioned radio as a “household utility” in the same sense as a piano or phonograph
Feared government control of radio after World War I – argued for a free economic model.
1888-1989
American composer and lyricist
"Alexander's Ragtime Band" became world famous
Paul Whiteman
1890-1967
American bandleader and orchestral director.
"King of Jazz"
"Rhapsody in Blue"
1898-1937
American composer and pianist
Jazz standards
1874-1922
Most significant African American entertainer of the first quater of the 20th century
First black performer featured in Ziegfeld's Follies
1882-1960
Inventor of moving coil loudspeaker in 1925 with Chester Rice at General Electric.
The singing of a single syllable of text while moving between several different notes in succession
1800-1879
Shape note "singing master"
Compiled The Sacred Harp
Made the first jazz recordings early in 1917
"Creators of Jazz"
1919
Composed by George Studdard and preformed by Joesph C. Smith's Orchestra becomes the first song popularized on record.
300,000 copies
1886-1950
"World's Greatest Entertainer"
Famous Vaudeville Performer
Blackface performer as a child
Stars in first "talking" film The Jazz Singer (1927)
First mass media star
Argentina
Contribution to the latin american stream
1901-1971
American Jazz trumpeter from New Orleans, LA
Influencial jazz
distinctive gravelly voice
Composed by Louis Armstrong in 1927
"One of the most astonishing accomplishments in all of twentieth century music"
American Society of Composers, Authors, and Publishers
Founded in 1914
Performing rights organization
forced business' to pay royalties for the live performances of copyrighted music
did not protect the work of most African American artists
Theatre Owner's Booking Assosiation
"Tough on black asses"
segregated
1868-1917
Ragtime composer
"Maple Leaf Rag" and "The Entertainer"
never recorded
1735 Trial of John Peter Zenger
first case in which song lyrics are considered protected speech
published lyrics in songs in his magazines about the governer,
not libale speech if it is true or opinion, it is protected.
1847-1931
Invents phonograph in 1877
didnt see potential for recorded music
played cylinders coated in tinfoil.
1878 The Edison Speaking Phonograph Company
Lost intrest instead worked on electric light
Black Minstrel common
"thug"
violent
smarter
magles language
always threating
early image of a pimp
Black Minstrel common character
Country black
unintelligent
faithful server
no threat
Legally codifies concept of "mechanical" royalties
Composers recieve 2 cents on the sale of each cylinder, piano roll, any "mechanical copy"
1845-1924
General Manager for Pacific Phonograph
Partnership with Felix Gottschalk in 1890 to form Automatic Phonograph Exhibition Company
Firts coin operated phonograph in 1889 in San Fransisco
1728
A ballad opera
precursor to the musical comedy
songs featured strong melodies that were simple and easy to remember
Lyrics focused on romantic themes
Daniel Decatur Emmett (and the Virginia Minstrels)
debut in 1834
first black minstrel supergroup
established the "classic" minstrel show format
wrote "Dixie"
Attempt by working class whites to use african American cultural form to comment on their own marginalization
Emerges during the "Jacksonian Period"
first indigigenous pop. music and exported abroad
America's first family singing sensation!
one of the most popular pre-civil war era
13 of 16 children of Jessie and Mary Hutchinson of Milford, New Hampshire
19th century social progressivism
abolitionist movement, women's rights, temperance, and prision reform
Roots of american social protest music
1842-1915
Singer. comedian, best known for holding 3 billard balls in his mouth
1851-1929
1887-Gramophone
invented by Alexander Graham Bell
Improved on Edison's design
Replaced tinfoil with wax
floating stylus, moved across cylinder easier
no volume control, big horn, hand cranked (slower at the eand of song)
1867-1945
An engineer working with Berliner in 1896
helped improve sound quality by using electoplated gold on metal master
developed a spring driven motor so the disk played at a consistent speed
saftey recordings
formed Victor Talking Machine in 1901, now RCA
A cuban-originated rhythm combining african polyrhythms and 19th century european country dance
Latin american stream
Fa Sol La singing
for the musically illiterate
Fa-triangle, sol- circle, la-square, mi-diamond
Originated in the New England singing schools
Sacred Harp singing book (1844) compiled by Benjamin Franklin White
Still practiced today
early Lyric sheets with advertising space
costs 25 cents
intended for the masses who lacked money and formal musical training
source of social and political satire
1891-1964
American composer and songwriter
sophisticated, bawdy lyrics, clever rhymes and complex forms
Tin Pan Alley composer
1887 Emile Berliner
Flat discs, easier to copy
Used needle to trace pattern on wax on metal or glass disk
dipped in acid bath
copy to master stamper
1896 disc player $25, louder family listening
DIY radios become a fad
Hobbyists became first audience for broadcast sound
Thomas Dartmouth "Big daddy" Rice
1808-1860
1832 introduced "Jim Crow"
Dance step- 'the Cakewalk" becomes synonmous with Black Minstrels
1854-1911
First successful African American songwriter, over 700 songs
middle class family, educated (Howard)
Banjo player
Colonel Jack Harvey's Minstrel Troupe
"Carry Me Back to Ole Virginny"
1880-1919
arranger, songwriter, musician, and musical director for the Castles
1920, founded the Clef Club, asocial club, booking agency, and trade unions for black musicians in New York
Formed the "Hell Fighters" a military band
added syncopation to marching bands
The ragtime craze 1896-1918
"To rag" african american expression meaning to create rhythmic momentum using syncopation
emerges from kansas city, chicago, and louisville
1873-1951
Worked for Berliner
Opened first recording studio in Philly in 1897
First A&R guy (talent scout)
convinces italian tenor Enrico Caruso to make records
1826-1864
First significant American singwriter
Popularized by minstrel shows, sheet music, music education, piano sales
songs popularized by the Christy Minstrels
No copyright protection at that time
Most significant dancer of the Black Minstrel period
One of the first African American Performers
Orginated in England in 17th century
Early form of theme park
iddillic outdoor seeting for musical performance
1808-1861
1828 First performer to establish a reputation for performing in black minstrels
later created the character "zip coon"
formed in 1871
introduced the world to "slve songs"
first African American vocal ensamble to tour the world.
Raised money for Fisk University
28th Street in NYC, between 6th Ave and Broadway
heart of music publishing
Golden age: 1920s and 1930s
"Song factory" tradition
Demands from Broadway
French Phrase "voix de ville" or Voice of the city"
descended from black menstels and music halls
origin of "variety shows"
Racially segregated
25,000 jukeboxes in the U.S. – 266 were Wurlitzers
Prohibition repealed, jukebox becomes an entertainment mainstay in bars across U.S.
Introduction of magnetic tape – technology first developed by the Germans and Japanese in the 1930s.
With magnetic tape comes overdubbing and editing.
Radio shows (Bing Crosby’s is the first) can now be taped in advance and edited.
Les Paul designs an 8-track recorder in 1948. Becomes a pioneer in studio overdubbing.
Ampex introduces its first tape recorder
Columbia Records introduces the 12-inch 33.3 rpm Long Player (LP). The LP could accommodate more music per side with better fidelity than a 78.
Introduction of 2-track recorder – now possible to record to simultaneous inputs from 2 microphones producing “stereo”
RCA Victor introduces the 7-inch, 45-rpm.
Development of FM (frequency modulation) broadcasting. FM used higher frequencies than AM, had better sound quality, and broadcast in stereo much earlier than AM
FM rock radio is a phenomenon of the late 1960s
1935 – Vivi-Tone 1st solid body electric guitar
1939 – Charlie Christian (1916-1942) joins Benny Goodman’s band – First swing band with electric guitarist.
Other significant (early) electric guitarists: T-Bone Walker (blues and r&b) and Merle Travis (country
1948 – Fender Broadcaster (sister model called the Esquire), 1st solid body electric guitars designed with mass production in mind.
1950 – Broadcaster renamed Telecaster
1951 – Fender Precision Bass breakthrough design that popularized the concept of the electric bass
1954 – Fender Stratocaster – new body design, pickup configuration, tailpiece vibrato arm
1952 – Introduces its 1st solid body electric guitar – named after Les Paul
1938
at Carnegie Hall in NYC celebrating the contributions of African Americans to American Popular Music.(backed by John Hammond)
Broadcast Music Incorporated (BMI)
1905-1975
-king of western swing
1923-1953
1873-1958
-William Christopher Handy: self-proclaimed "Father of the Blues"
1890-1941
creole, Ferdinand Joseph Lamothe in New Orleans
1922-1965
first DJ to use the term "Rock&Roll" for commercial purposes
1915-2009
1933-2006
b.1928
(a combination of the words Melody and Electronics with and extra “L”) – prototype constructed in 1946, but instrument emerges in early 1960s (not many were produced). Mellotrons were early samplers. A keyboard instrument that played pre-recorded tapes. Each one of the 35 keys played a recording of real instruments (violins, cellos, flutes, horns) on a piece of magnetic tape.
Mellotrons become a standard instrument on progressive rock recordings. They required frequent maintenance and were temperamental
1964 – Dr. Robert Moog debuts the Moog Synthesizer at the national AES (Audio Engineering Society) convention.
The prototype of the synthesizer was the Theremin, Moog wanted to create an advanced electronic instruments by building new circuits capable of producing sound. (The Beatles and Stones purchased models almost immediately)
Moog (and his company) set that standard for analog synths, but were overtaken by ARP and Roland
Dolby becomes a household name for its application to consumer formats and motion picture sound
(He also developed the Lear Jet)
4 Stereo programs running in parallel on 8 tracks on a single continuous tape loop.
Thinner tape and more compact heads meant this process could be repeated indefinitely.
1967 – All new Ford, GM, and Chrysler cars offer factory installed 8-track tape players.
1974 – 6.7 million 8-track tapes are shipped
Popular format into the 80s – Madonna and Michael Jackson releases are available on 8-track.
- 1963 – Phillips introduces the cassette
- 1967 – Cassette sound is improved by introduction of noise reduction technology by Ray Dolby
- 1968 – Cassettes outsell 8-tracks and reel-to-reel tapes
By the mid-1970s pre-recorded tape sales account for one-third of all U.S. music sales.
1971 – Quadrophonic (four channel) sound is introduced, never becomes a consumer item, gone by 1980.
Music business is a $2 billion/year industry
– Energy crisis, shortage of PVC (polyvinyl chloride), petroleum-based product substance from which records and tapes are manufactured. Indie labels faced production problems.
$4 billion/year
The rise of the major labels means the demise of many independent labelsThe start of corporate consolidation – by 1973 six huge corporations control the sale and distribution of 80% of the world’s music.
Music becomes more “categorized” – soft rock, hard rock, folk rock, glam rock, southern rock, jazz rock, art rock, etc., etc., – creating the impression of greater choice
Dr. Albert Hoffman invents LSD (lysergic acid diethylamide) more commonly referred to as “acid” in a Swiss lab.
Novelist Ken Kesey (One Flew Over the Cuckoo’s Nest) takes LSD as an experiment volunteer at the Menlo Park Veterans Hospital in California.
Federal and state criminal penalties established for the possession, sale, and manufacture of LSD.
Beatles final American concert held August 29 at Candlestick Park in San Francisco
John Lennon meets future wife Yoko Ono in London
In April the Byrds release “Eight Miles High,” the first psychedelic rock hit; during the same month the Beatles record their first overtly psychedelic track “Tomorrow Never Knows”
Beach Boys release the “acid-drenched” LP Pet Sounds
Dylan releases Blonde on Blonde featuring “Rainy Day Women #12 and #35”(with the immortal refrain “Everybody must get stoned’) and the 18-minute “Sad Eyed Lady of the Lowlands”
Beatles release their masterpiece (in my humble opinion) Revolver
“Underground radio” begins in San Francisco at radio station KMPX
After a delay of one year by nervous record executives, The Velvet Underground and Nico, the band’s first LP is released
The Doors release their debut LP, their first single “Light My Fire” is a huge hit.
The Gathering of the Tribes, or Human Be-In is held January 14 at Golden Gate Park in San Francisco. 20,000 people attend the event and inaugurate a ‘60s era tradition, free music in public parks.
In June, the Beatles release their most influential record, Sgt. Pepper’s Lonely Heart’s Club Band to universal acclaim. (Revolver’s still better.)
An estimated 100,000 people emigrate to San Francisco’s Haight-Ashbury district in the first half of the year marking the beginning of the “Summer of Love.”
1967
in Monterey, California the first big rock festival presents Janis Joplin, the Who, Jimi Hendrix, Otis Redding, and Indian sitar master Ravi Shankar (aka Norah Jones’s dad).
The Byrds (with Gram Parsons as a member) release Sweetheart of the Rodeo and Bob Dylan releases John Wesley Harding recording more influenced by country music than by psychedelic music. Dylan’s former backing musicians, now called the Band, release Music From Big Pink a country-oriented roots-rock masterpiece.
The Beatles found Apple Records.
During the 1968 Democratic Convention in Chicago, Detroit’s MC5 play for anti-war demonstratorsAugust 15-17 1969
draws nearly 500,000 to a 600-acre farm in upstate New York
Financial disaster when concert goers tear down the fences
The Rolling Stones’ free concert at the Altamont Speedway near San Francisco (held only three months after the peace and love of Woodstock) ends tragically as members of the Hells’ Angels (who’d been hired for security purposes) beat up audience members with pool cues, threaten and beat up musicians (Jefferson Airplane singer Marty Balin is beaten up) and finally, stab concertgoer Meredith Hunter to death in front of the stage as the Stones played “Under My Thumb”
Founded by Berry Gordy in 1959
Gordy had complete control over everything
1970: Gordy moves Motown’s corporate headquarters from Detroit to Los Angeles creating much bitterness in Detroit’s black community.
1988: Gordy sells Motown to Boston Ventures for $61 million.
1993: Motown sold again to Polygram for $301 million
- Gordy (complete and total control over everything)
- Songwriters and producers (e.g., Smokey Robinson, Holland-Dozier-Holland, Norman Whitfield, Nick Ashford and Valerie Simpson)
- House musicians (the “Funk Brothers,” featuring Earl Van Dyke, drummer Benny Benjamin and, arguably, the 20th century’s greatest bassist James Jamerson)
- Always use the present tense
- Never overdo the hook
- Make sure the song has a hummable melody (something the public might have heard before)
- Find originality in the song’s concept (e.g., in the rhythm; or in how the lyrics are phrased)
- Another unwritten rule was never be overtly political
Gordy worked for a while at the Ford auto plant and made him aware of the fact that production can be organized and automated for the highest quality.
Motown’s “charm school” run by Maxine Powell; performance and dance coach Cholly Atkins – the artists themselves wanted to be polished performers, to be the best representative of black America.
Founded by white semi-professional country fiddler Jim Stewart and his sister Estelle Axton in 1958.
Stax saw itself as a grittier, funkier, more authentically Southern “soul” alternative to the pop of Motown.
1960 – Atlantic Records reaches an agreement to distribute Stax records, thus giving what was a small regional label access to markets in the U.S. and abroad.
Stax saw itself as a grittier, funkier, more authentically Southern “soul” alternative to the pop of Motown.
Stax was less overtly hierarchical than Motown; more thoroughly integrated; songwriting and arranging was looser than Motown (i.e., more in-studio improvisation, less reliance on written arrangements), records were made faster and focused on rawness and energy than perfection.
The sound of Stax was also rooted in the black church, something Motown downplayed or polished to the point of being unrecognizable.
Stax, as did Motown, had great songwriters and producers
Stax: Booker T. and the MGs
Motown: Funk brothers
b.1940
Creator of the “Wall of Sound.” He elevates the level of the producer to equal that of the artist. In fact, on Spector productions, he was frequently more important than his artists, the notable exception being Veronica Bennett, who he would marry. As Ronnie Spector she would become the most recognizable voice of the “girl group” era of the 1960s.
His greatest moment as a producer, Tina Turner’s “River Deep, Mountain High” recorded in 1966. A huge flop in the U.S. (but a big hit in the U.K.), Spector goes into seclusion. Emerges in the 1970s to work with the Beatles (Let it Be) and on numerous solo releases (George Harrison’s All Things Must Pass, John Lennon’s Imagine)
Spector is currently on trial for murder.
Centered at NYC’s Brill Building (located in Tin Pan Alley). A sleek orchestrated pop sound featuring young girls as lead vocalists. Songwriting architects of this sound include: Ellie Greenwich, Jerry Goffin, Carole King, Barry Mann, Cynthia Weill, Neil Sedaka.
Allowed girls to sing about “real-life” issues about love and sex.
Formed by Brian Wilson
The Beach Boys (who were clean cut guys in their earliest iteration) created an image of California that was built upon sun, surf, girls, and (later on) psychedelia, drug experimentation and concept albums. The most revered of these being Pet Sounds (1966)
The 1st self-conscious second generation American rock and roll performer. What does this mean?
- He explicitly acknowledged, relied upon, and revered his rock and roll predecessors
- He created a new (and distinctive sound) moving music and lyrics beyond the territory established by his predecessors
Revved up folk-based music that took cues from American folk, jazz, blues, and gospel
Quarrymen skiffle group that included John Lennon and Paul McCartney
(1931-2002) has an international hit with “Rock Island Line” (1956)
Donegan starts a skiffle boom in the U.K. in the late 1950s.
“Trad” was a British interpretation of American Dixieland Jazz -- major figures: Ken Colyer, Humphrey Lyttleton, and Chris Barber
Led early 60s British blues revival
Korner’s Blues and Barrelhouse club in London becomes the proving ground for a generation of blues-inspired British musicians who went on to play in Cream, Led Zeppelin, the Yardbirds, John Mayall’s Bluesbreakers, and the Rolling Stones.
3-note chord comprised of the root note, plus a fifth and an octave above the root. Not conventional in common practice harmony because it lacks the third.
Career begins: June 6, 1962 (audition for producer George Martin)
Career ends (sort of): April 10, 1970 (McCartney announces the “official” breakup of the band)
Popularity ends: Most popular band in the history of rock and roll. No end in sight.
February 9, 1964: An estimated 73 million Americans watch their U.S. television debut on the Ed Sullivan Show. The entire U.S. population at the time was 192 million.
1965 – Beatles perform before a crowd of 65,000 at Shea Stadium
1966 – Beatles perform last show at Candlestick Park in San Francisco
Manager Brian Epstein helps craft their early image: matching suits, bowing at the end of a song
- Beatlemania (1962-1964)
- Dylan-inspired seriousness (1965-1966)
- Psychedelia (late 1966-1967)
- Return to roots (1968-1970)
Career begins: 1962
Career ends: Sadly, no end in sight
First manager Andrew Loog Oldham crafted their “bad boy” image
- More overtly blues based – didn’t even call themselves a rock band in the early days
- Didn’t wear matching suits
- Mick Jagger, brought a menacing (if slightly campy) sexuality to rock
- Punk-ass attitude
- Arrested earlier and more often for drug possession
- Considered more predatory when it came to women – songs were more overtly sexist
the man who, single-handedly, dragged urban folk music into the modern rock era.
Dylan emerged from the growing folk revival scene that begins in the late 50s/early 60s – centered around northeastern college campuses, it was a reaction to the commerciality of rock and roll by students seeking a less commercially compromised form of American “roots” music
1st genre of music of the rock era to originate in the so-called “third world.”
Emerges from earlier styles of Jamaican music such as ska, bluebeat, and rock steady
1972 – The Harder They Come starring Jimmy Cliff exposes Americans to reggae music and “rude boy” culture – the film’s soundtrack becomes a reggae classic.
Reggae influenced by 1940s & 50s American R&B: e.g., Louis Jordan, Fats Domino broadcast throughout the Caribbean from stations in New Orleans and Miami.
Reggae influenced by 1940s & 50s American R&B: e.g., Louis Jordan, Fats Domino broadcast throughout the Caribbean from stations in New Orleans and Miami.
1972 – Paul Simon has a hit with “Mother and Child Reunion”
1974 – Eric Clapton has a #1 hit with the single “I Shot the Sheriff” (a cover of a Bob Marley song), and a #1 LP with 461 Ocean Boulevard.
Reggae strongly influences hip-hop: Jamaican “toasters” (like an MC) toast (early freestyle rapping) over backing tracks played by popular Jamaican DJs who ran sound systems.
As a genre funk was used as a label to identify all popular music that featured strong, dance-oriented rhythms, call-and-response exchanges between voices and instruments, and repeated rhythmically interlocking patters.
Pop/funk: Kool and the Gang, Wild Cherry
-1927 Ralph Peer recorded a lot of people in Bristol Tennessee, including the Carter Family
-Country Music’s Big Bang
Funk- (choppy, aggressively syncopated beats)
Philly Soul-(smooth, orchestrated, mellow, danceable)
Emphasis on records rather than live performance – disco embraces studio technology.
The beginnings of DJ culture – the club disc jockey as celebrity
repetitive, synthesizer-based, almost mechanical sounding, 4/4 beats became the signature style of producer Georgio Moroder. His influence can be heard more recently in the work of the Pet Shop Boys, and on Cher’s single “Believe.”
(New York) – DJ Frankie Crocker “The Alan Freed of disco”
The success of disco brings gay culture into the mainstream (e.g., the Village People)
Disco culture is “heterosexualized” with John Travolta’s performance in the worldwide smash Saturday Night Fever (1977). The film also clearly links disco culture with the white working class.
Influences: Countless ‘60s garage rock bands (e.g., The Kingsmen, The Wailers, The Standells, 13th Floor Elevators, etc), as well as the Stooges, MC5, Velvet Underground, New York Dolls, and British Invasion rock (Stones, Who, Kinks, etc).
1975 -- New York scene develops around Bowery club CBGBs (which stood for Country, Bluegrass, and Blues): Patti Smith, Ramones, Blondie, Television, Talking Heads, Richard Hell and the Voidoids
The failure of hippie culture
The corporatized sound of rock bands (and rock radio)
The notion that you need to be a skilled musician to play rock music
A hatred of rock bands as royalty
Anti-fashion, anti-style (which, ironically, becomes a style)
Includes nearly all of the above with these exceptions
Very style consciousness
Politically oriented (mostly)
Influenced by the British art-school tradition
Punk-as-social-theory rooted in French student movement of ‘60s (e.g., Pistols manager Malcolm McLaren’s fascination with the Situationists)
Influenced by glam rock (sexually ambiguous hard rock such as T-Rex, Slade, Sweet, Gary Glitter, Ziggy Stardust-era David Bowie)
Explicitly working class
– Patti Smith releases Horses, the first LP to emerge from the CBGBs scene – Talking Heads play first gig at CBGBs
– Sex Pistols release debut single “Anarchy in the U.K.”
– Sex Pistols’ “God Save the Queen” hits number 1 in the U.K.
Ed Sullivan Show (1948-1971)
Shindig (1964-66)
Hullabaloo (1965-66)
American Bandstand (1957-1989)
1981 – Debut of MTV. First video aired “Video Killed the Radio Star” by the Buggles. MTV as a televised version of AOR. In its early days, MTV had a whites-only programming policy, one that assumed that African Americans played soul, R&B, and funk, which were, according to MTV, “non-rock” categories.
British band videos (e.g., Duran Duran, Culture Club) bring high production values to MTV. MTV becomes a way of breaking acts (but still not as potent a force a radio). Pop music now becomes an aural and visual medium. Successful rock stars are now needed to be “videogenic.” MTV willingly turns women into an exploitable commodity
With MTV and more sexually explicit songs comes the Parents’ Music Resource Center (PMRC). Censorship or no?
Geographically located in the South Bronx
Rhythms of James Brown – playing “on the one”
African American rhyming games “the dozens”
Caribbean culture – Jamaican DJ “toasting” – one of the most influential of the early South Bronx DJs was the Jamaican-born Kool Herc
Graffiti artists
Break dancing, other forms of street dance (e.g., “poppin’ and lockin’)
Afrocentric spoken word performance (e.g., The Last Poets, Gil Scott Heron)
Focus on rhythm (as opposed to melody)
Percussive vocalizing (spoken rather than sung)
Use of sampling (still controversial, technically if done without permission an infringement of copyright on the recording and the song)
DJs scratching – similar to the sound system DJs in Jamaica
(1945-1981): Becomes, for better and for worse, reggae’s international ambassador and the genre’s most popular performer.
Devout Rasta
Intense, charismatic performer, brillian songwriter
After his death, reggae's popularity diminishes in the US, but remainsvery popular in the UK
A white Jamaican, a crucial figure in the Jamaican music industry and the person responsible for making Jimmy Cliff an international star, starts Island Records and signs Bob Marley.
1933-2006
Godfather of Soul
Inventor of Funk
Concept of "one the One"
George Clinton
1989 – Soundscan developed by Mike Shalett
Tracks sales of music and music video products in U.S. and Canada
Collects POINT OF SALE (POS) information from 14,000 retail and mass merchandise locations
1991
Mielsen Media Research
Billboard's new way of measuring record sales
When they scan the barcode the information is sent to them
Only big record store could afford this so indie records not properly reflected.
Geographically located in the South Bronx
Rhythms of James Brown – playing “on the one”
African American rhyming games “the dozens”
Caribbean culture – Jamaican DJ “toasting” – one of the most influential of the early South Bronx DJs was the Jamaican-born Kool Herc
Graffiti artists
Break dancing, other forms of street dance (e.g., “poppin’ and lockin’)
Afrocentric spoken word performance (e.g., The Last Poets, Gil Scott Heron)
Born after hippie era of "free love" a generation of horny teens facing the reality of AIDS
First Generation to not live better than their parents
Children of divorce and domestic conflict, reported cases of child abuse at an all time high
centered in Seattle. Musically it’s a mix of punk and 70s heavy metal (especially the sludgy tempos of Black Sabbath).
Grunge centers around disaffected members of “Generation X”
The punk that influenced grunge was partly the Ramones and punk that came in their wake: Black Flag, Husker Du, Minor Threat – these bands were more aggressive, faster, louder, and more confrontational.
Heroin makes a comeback -- Less expensive than coke and of much higher quality. Also, heroin helps numb your depression.
the poster child of grunge
(died from self-inflicted gunshot wound in 1994)
Cobain’s band Nirvana broke big and suddenly “grunge” was commercially viable
Computer operated tracking systems monitoring 1,100 radio stations in the U.S., Canada and Puerto Rico.
Computers “listens” to radio stations 24/7.
Each BDS monitor store thousands of unique electronic “fingerprints” created to identify the songs.
Once a pattern has been recognized BDS identifies the exact time, date and station of that play
1983
allows synthesizers built by different manufacturers to be connected and communicate with one anothersequencers record musical data rather than sound and create repeated sound sequences (loops)
Erlangen, Germany: Professor Dieter Seitzer creates a “CODEC” (compression/decompression algorithm) used to shrink video files to a manageable size for use with multimedia.
The formal name of the codec was: ISO-MPEG Audio Layer—3, shortened to MP3.
Santa Cruz, CA: UC Santa Cruz students Jeff Patterson and Rob Lord, while trolling the Net, discover the Xing Player, software that played compressed music files
They open IUMA – Internet Underground Music Archive. For $240/year any band could post a song, pictures, and sell merchandise on the site.
Rob Glaser, former Microsoft VP, unveils RealAudio. Streaming media becomes a reality for computer owners.
Michael Robertson launches MP3.com. Site quickly becomes the gathering post for those interested in online music.
June 1999 – Shawn Fanning, wanting an easier way to find and trade music online, launches NAPSTER
1. Every computer becomes a small file server.
2. All Napster users are linked in a huge virtual music community.
3. The program scanned each users hard drive to identify all MP3 files.
4. Files names were sent to the central Napster server, anyone searching for a particular song or band would connect with other users offering such songs for a download.
February 12, 2001 – An appellate court upheld a lower court ruling that Napster should be held liable for copyright infringement.
The court held that using Napster to get something for free that people would ordinarily have to buy was a commercial use and therefore copyright infringement.
1980
Sugarhill Gang
inspires a copyright lawsuit from Chic’s Nile Rodgers and Bernard Edwards because the song sampled (without permission) Chic’s hit “Good Times.”
Grandmaster Flash and Grandmaster DXT – pioneers of the DJ style
a style of scratching and mixing currently done by DJ Qbert, DJ Shadow, Cut Chemist, Mix Master Mike, etc
DJ style takes off with the success of Herbie Hancock's 1983 "Rockit" (feat. scratching by DXT)
"Rockit" 1983
Scratching from DXT
Blondie, "Rapture"
RUN-DMC and Areosmith, "Walk this Way"
Anthrax and Public Enemy, "Bring the Noise"
The beginning of the mainstreaming of rap/hip-hop
Please Hammer sells 10 million copies, #1 album in US for 21 weeks
The beginning of the mainstreaming of rap/hip-hop
early 1991 To The Extreme, #1 album for 16 weeks, sells 7 million copies
1992 The Chronic
Gangsta
1993 Doggy Style
Gangsta
1979
BAR CODE it contains information regarding: label, specific selection, and configuration
Samples sound waves and breaks them down into a stream of numbers
Minimoog (could only play one pitch at a time)
Arp (could play simple chords)
Synclavier – Expensive digital synthesizer
Parents' Music Resource Center
Cause: MTV and more sexually explicit songs
Kenny Gamble and Leon Huff
architects of the '70s Philly soul sound owners of Philadelphia Internationa Records
b.1940
Carries on James Brown's funk tradition in a more outrageous (and Afrocentric) manner.
Millie Samll
First ska top 10 hit in the US in 1964
About this deck
Created: 2011-04-29
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