Exam #2
English 657 with Britton at University of New Hampshire
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By: jonathan constable
Created: 2011-12-14
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Created: 2011-12-14
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MORAL LAW 1.1 lines 26 - 47 Duke to Angelo- sets up the theme of "what seems vs. what is" 1.2 lines 87- 93 Pompey talks to Mistress Overdone about how although Angelo is making her relocate/ closing all the brothels she does not have to give up her trade because it will still go on- Prostitution is still going to happen! Human Law vs. Moral Law 1.2 lines 105 - 110 Claudio to Lucio when he is being arrested- touches upon the theme of "freedom is poison" and "human/ social law vs. natural law" 2.1 lines 199- 204 Pompey the "pimp" speaks to Escalus about his "trade"/ occupation. Brings up the question, what is the law? and is the law arbitrary? are things bad just because the law says they are? Again, Human Law vs. Moral Law 2.2 lines 74- 81 Isabella and Angelo's first meeting spoken by Isabella- human law vs. natural law because Angelo has judgement over Claudio and God has judgement over Angelo 2.2 lines 167- 191 Angelo's soliloquy- talking about his sexual desire for "pure" Isabella- Not a sexual character but is experiencing lust for the first time! At first disgusted with himself- saying he does as the carrion does in the sun= rot and not as the flower does= bloom (sun= Isabella's virginity/ chastity) 2.4 lines 1-17 Angelo's soliloquy- Praying to god to help him not have this feel but god's name is just like "chewing" a.k.a. means nothing!!! Explains that "blood is blood" or that basic passions cannot be eradicated like he is attempting to do by riding Vienna of the brothels! 2.4 lines 99- 104 Isabella to Angelo- her kinky speech reflecting on how she gets off on being so "pure" and "chaste" also shown earlier in the play when she talks to Francesca about joining the nunnery and wants restraint. 4.3 lines 46- 43 Pompey sentences Barnardine to death but Barnadine explains to the the Duke in disguise- Law is sentencing him to death but he i not allowing it/ consenting to it. Normally you cannot consent to the law therefore he is questioning the law as questionable/ arbitrary. He is using cultural values to his own benefit- he cannot die because he is drunk and cannot say his prayers and would go to hell. ****Othelllo**** 1.1 lines 41- 65 Iago to Rodrigo- before they bother Desdemona's father "I am not what I am" the theme of "what seems vs. reality"- appearing that way for his own benefit 1.3 lines 316-327 Iago to Rodrigo "bodies are like gardens" speech- Iago suggests that he is in full control of his identity and body- you become what you plant within yourself- Iago also plants other ideas in people's heads 1.3 lines 365- 373 Iago confesses his reason for hating Othello- because he believes Othello slept with his wife Emilia and is also jealous that he was not promoted but Cassio was. !!!!!!!!!!!!!!!!!!!!!!!! Iago like Alcohol !!!!!!!!!!!!!!!!!!!!!!!!!!!!!! 2.3 lines 249- 257 Iago thinks reputation/ honor is meaningless- this is very similar to Falstaff's mentality. Iago believes reputation has power but it is stupid, you yourself decide your own reputation. 3.3 lines 197-208 Iago makes Othello convince himself- gets inside Othello's head and brings doubts to the surface, doubts that already existed in Othello- Plants the idea of ocular proof inside Othello's head which he uses with the handkerchief 3.4 lines 53- 66 Othello describes the creation of the handkerchief to Desdemona- explains how it keeps the men faithful to their wives- when Desdemona loses it, Othello becomes "unfaithful" with Iago by having more of a relationship with him and siding with his ideas that Desdemona is unfaithful 5.1 lines 82- 102 Emilia speaks to Desdemona about if she would cheat on Iago for the world- Emilia says she would and give the female perspective on cuckoldry- explaining male accountability and that wives are unfaithful when husbands are unfaithful 5.2 lines 1-22 Before Othello kills Desdemona- while she is sleeping- rationalizing with himself (doesn't want to harm her body, no hostile language), explaining he is killing her for the greater good and that his actions are justified. Possibly defending himself/ his honor more intensely because he knows people judge him differently as the black Moor- she is the enemy of his honor- rumor is enough to kill her because a rumor is very capable of destroying a reputation. ****King Lear**** 1.1 Truth vs. Language/ Flattery (external validation) Lear explains that nothing will come of nothing- therefore Cordelia's attempt at truth= nothing. 1.2 lines 1-21 Edmund soliloquy- Bastard speech! Him and Edgar are "naturally" equal (created/ born the same way) but not socially equal because Edmund was conceived out of wedlock- Nature/ laws of nature vs. social customs/ social branding. Attempting to gain sympathy/ support from the audience 2.3 lines 1- 21 Edgar denounced himself- he has lost his reputation so he is now bestial- Edgar still "is" but not Edgar because Edgar has a stable societal meaning 3.2 lines 1-9 and 13-23 King Lear outside in the storm with the fool- Orders the storm around which represents his insanity 5.3 lines 304- 309 After Cordelia dies Lear speaks of her- calls her his "fool" because she spoke the truth- "never, never never" reversal of iambic pentameter because emphasis is on the end of the word and not the beginning ****The Tempest**** 1.1 line 25-29 Gonzalo to the fellow lords on the boat- talking all about fate and how the boat is not destined to sink 2.2 lines 17- 38 Trinculo criticizes English society on how they will not give to charity but will pay to view foreigners like Caliban- i this a man or a fish? Brings up the question is Caliban monstrous? 4.1 lines 13-23 Prospero lectures Ferdinand on not taking Miranda's virginity before marriage- Prospero is the puppet master and has created this match but is still very obsess with his daughter's chastity! 4.1 lines 146- 164 Propsero gives a speech on how the "gods" and towers were all imaginary- metatheatricality 5.1 lines 184- 188 Miranda comments on how beautiful man kind is and Prospero says it is not true- comments on what seems vs. what really is- Miranda is naive and believes mankind is beautiful but they are not really like that in reality Caliban Passage Epilogue- Prospero says that all of his charms are over/ the play is over and the only way he can be forgiven for his sins is if the audience applauds him
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About this note
By: jonathan constable
Created: 2011-12-14
File Size: 0 page(s)
Views: 12
Created: 2011-12-14
File Size: 0 page(s)
Views: 12
About StudyBlue
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“I have been getting MUCH better grades on all my tests for school. Flash cards, notes, and quizzes are great on here. Thanks!”
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