10/12/09 High Renaissance : 1490-1520 Michelangelo, Bound Slave (Rebellious Captive), 1513-1516 Represents slavery in territory Very powerful expressive figures Michelangelo, Moses, 1513-1516 Terribilita ? look of intensity Figura Serpentinata ? serpentine type body form like coiled and ready to spring Rafaello di Sanzio: (Raphael) Trained with Perugino Raphael, Marriage of the Virgin, 1505 Perugino ? s approach of this is called isocephaly ? all heads on the same level This painting puts Raphael past Perugino so he leaves to Florence in 1505 ? 1508 From the Mona Lisa, he makes a replica Raphael, Madonna in the Meadow, 1505-1506 Julius II calls Raphael to Rome in 1508 Bramante Raphael Michelangelo Raphael, Stanza della Segnatura, 1508-1512 Julius ? library 4 walls decorated with the 4 branches of learning Law Theology Philosophy Raphael, School of Athens, Stanza della Sengatura, Vatican Palace, 1508-1512 (Philosphy wall) Plato and Aristotle, Pythagoras, and Euclid, Zoroaster, Ptolemy of Alexandria, and then himself Mannerism: 1520-1580 Pontormo, Entombment of Christ, 1524-1528 Setting is virtually gone Composition may be a sort of spiral or oval you just don ? t know! Colors are overly bright Art of artificiality and its very hard to understand Move to something that ? s new and strange! Mannerist art just seems to be experimentation Parmigianino, Madonna of the long Neck, 1536 Proportions are thrown off Christ is super long for a baby Mini man next to her Long slender neck and fingers Parts of body with nothing finished to it Bronzino, Venus, Cupid, Folly, and Time, 1546 Just weird incest between Venus and Cupid Body is distorted Bronzino, Portrait of a Young Man, 1530-1545 Top five percent that loved this new art Meant to be seen as some one who is superior Giovanni da Bologna, Abduction of the Sabine Women, 1579-1583 Carved 3 life size figure out of one block Every angle gives a different view of the sculpture It works all around Worked on the sculpture with out a subject
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